Olamide Ayomikun Olowe: Attention to Detail is What Separates Good from Great

Olamide Ayomikun Olowe, the history-making CEO and founder of Topicals, shared some keys to women staying bossed up and more on an episode of “She Is.” Article published for REVOLT.

Throughout Women’s History Month, REVOLT has been highlighting stories of struggle, resilience, and triumph told through the lens of female trailblazers who’ve not only lived that experience, but have also broken barriers in their respective fields. The “She Is” series aims to spotlight those women across industries who are shattering the status quo and proving that the future is female because women are the real architects of society.

Before the annual celebration comes to an end, REVOLT sat down with one final trailblazer for today’s (March 28) episode, Olamide Ayomikun Olowe. She is a self-proclaimed serial entrepreneur; the co-founder of SheaGIRL, a Sundial Brands subsidiary now owned by Unilever; and the history-making CEO and founder of Topicals, the fast-growing Gen-Z-targeted skincare brand. Olowe has prioritized mental health in her life and in her products, aiming to make Topicals, which launched in August 2020, a brand that not only transforms how you feel about your skin through effective science-backed products, but through advocacy as well.

As the first-generation daughter of immigrants, the young boss knew the significance of her parents’ hard work and the sacrifices they made to provide a better life for their family early on. Olowe shared she often used that as fuel to motivate her to do everything in life with “the spirit of excellence.” The businesswoman lives by the words of her mother, who would often tell her, “Anything that’s worth doing is worth doing well.” She added, “My team knows that whether it’s branding, or it’s the way that we treat our vendors or it’s the way we build products, everything has to be done with attention to detail because that’s what separates good from great.”

Photo: Perla Diaz

Still, Olowe doesn’t believe in striving for perfection. She opened up about recently reading a book that focused on the idea that “Perfection is us trying to get closer to something that we’ve seen before.” The young trailblazer argued, “In aiming for perfection, you’re actually becoming less like yourself and more like something else because you’re trying to measure up to something else.”


Since launching, Topicals has garnered significant success, including selling out 48 hours after its launch in Sephora in March 2021. At 23, Olowe became the youngest Black female entrepreneur ever to raise over $2 million in venture funding after amassing $2.6 million.

However, for the skincare mogul, those achievements come secondary to the opportunity to create more space for mental health advocacy, as she shares a close connection to the subject. She recalled being fearful of wearing swimming attire at one point. “I didn’t wear a swimsuit until deep into college because I was really insecure about ingrown hairs and bumps because I was someone who shaved when I was really young,” Olowe candidly shared. Due to a lack of knowledge surrounding proper shaving care, she ended up having dark spots and ingrown hair in her bikini area.

After opening up about her situation, Olowe soon realized, “A lot of things that we’re insecure about or we’re fearful about actually connect us more than they separate us.” She added, “And so that’s why, for me, it’s a personal mission to continue to advocate about the connection between skin health and mental health.” The funding has since increased to a reported $10 million, but the moment seems bittersweet for the entrepreneur who feels that although “it’s great to break boundaries and to do things that we’ve never seen folks do before... we’re still years behind, decades behind because I shouldn’t be the youngest; I shouldn’t be one of few.”

The Topicals CEO continued, “I know that there are women who are just as smart as me, if not smarter, more experienced, more creative, but this idea of mismatch between access and opportunity.” Creating space for other women to not only “surpass” her, but “to be our ancestors’ wildest dreams” is a task Olowe said she takes to heart. She accomplishes this by never taking “the pressure seriously because I think it’s man-made.” Yet, Olowe also believes, “Pressure creates diamonds” and that she is a testament to that, coupled with “what discipline, access, opportunity, and creativity look like.”

When it comes to being a woman, this trailblazer admires “our ability to tap into the divine feminine.” She noted that oftentimes, when navigating through male- dominated industries, the initial reaction is to display a sense of power.

Olowe explained, “You want to be a lot more aggressive, and I’ve come to understand and learn that flow, being nurturing, being empathetic and being what it is that a woman is actually serves you a lot better than trying to use aggression or power to occupy spaces.”

If there was any advice she’d offer aspiring entrepreneurs, dream chasers, or just anyone looking to start a new journey, it is to always speak from a place of power, however. Olowe believes that due to personal insecurities, people often “speak from a place of timidity.” When working with potential clients, Olowe said she “always pitched it as an opportunity for you to get on board for a train that was leaving if you wanted... to be a part of it or not.” She continued, “And so I think for a lot of us women, especially when we go into these conversations where we’re the only one, we really need to go in with power.”

She added, “I tell people all the time that if you’re a Black woman starting any brand in pretty much any category, we know that Black women are the originators of a lot of culture, and so because of that, a lot of the categories, products, and spaces you’re trying to occupy are quite literally billion-dollar industries, and so you have to speak from a place of the fact that your culture and you just [existing] can produce billions.”

Everything You Need to Know About Haiti’s Crisis and President Jovenel Moïse’s Assassination

Following months of unrest, citizens of Haiti woke up on Wednesday (July 7) to news that their President Jovenel Moïse had been assassinated by “well- trained professionals” that included foreigners. Moïse was 53 years old. Article published for REVOLT.

The views expressed in this article are those of the author and do not necessarily reflect the official policy or position of any other agency, organization, employer or company.

Following months of unrest, citizens of Haiti woke up on Wednesday (July 7) to news that their President Jovenel Moïse had been assassinated around 1.a.m. local time by individuals identified as “well-trained professionals” who included foreigners, the country’s acting Prime Minister, Claude Joseph, announced. Moïse was 53 years old.

The attack occurred at the now-late president’s private residence in Pétion- Ville, a city on the outskirts of the country’s capital, Port-au-Prince. His wife, Martine Marie Etienne Joseph, was also injured in the attack after being shot multiple times. Several outlets reported that she had since been airlifted to a hospital in Miami, Florida for further treatment. She is said to be in “stable but in critical condition,” but expected to survive.

Pétion-Ville deputy justice of the peace Carl Henry Destin told Haiti’s largest newspaper, Le Nouvelliste, that the politician’s body was riddled with “twelve holes.... Made with a large caliber weapon.” In addition, the president’s office and bedroom were allegedly vandalized. He was said to be found “lying on his back, blue pants, a white shirt smeared with blood, his mouth open, his left eye blown out.” The Post reported that their only daughter Jomarlie Jovenel Moïse was home at the time but hid in her brother’s bedroom.

By late Wednesday, Haiti’s Chief of Police Leon Charles revealed during a televised briefing that four suspected killers had been fatally shot by police, while two more had been detained following what the country’s communication secretary, Frantz Exantus, said appeared to be a hostage-taking situation. In addition, three police officers held captive by the suspected gunmen were freed later that same evening. “We blocked [the suspects] en route as they left the scene of the crime,” Charles said at the time. “Since then, we have been battling with them. They will be killed or apprehended.”

According to the Haitian ambassador to the United States, Bocchit Edmond, the raid “was carried out by foreign mercenaries and professional killers—well- orchestrated.” They were said to be speaking English and Spanish. (The country’s official language is Creole and French.) As the tragic news spread, reports and video footage circulating the internet claimed that the suspects purportedly posed as U.S. Drug Enforcement Administration agents. However, those allegations were rejected by State Department spokesperson Ned Price, who called the allegations “absolutely false.” The suspects have yet to be identified, nor have authorities cited any evidence linking them to Moïse’s killing. “But since the investigation has just been opened, we prefer to wait on legal authorities to have a better assessment of the situation,” Edmond added. “We don’t know for sure, with real certainty, who’s behind this.” The ambassador strongly believes the killers were assisted given the vehicle they drove to the president’s home.

In a statement to Associated Press, the prime minister called for a worldwide investigation into the assassination, asserting that the elections scheduled for later this year should resume without pause and pledged to work with the deceased president’s allies and opponents to bring about justice. “We need every single one to move the country forward,” Joseph added. Borders, including that of the Dominican Republic, has since closed. The Toussaint Louverture International Airport, Haiti’s main airport in the capital, has also been shut down in the aftermath of the attack.

Joseph ensured the people of the Caribbean island that police and military officials were in control of security. However, Haiti’s leadership now hangs in the balance as Joseph, who early on claimed authority, but was not confirmed by parliament, declared a “state of siege throughout the whole country.” He is also set to be replaced with a new prime minister, Ariel Henry, in the coming week, The New York Times reported. Henry was appointed by Moïse right before his murder and is said to be in hiding currently.

Haiti’s Supreme Court Judge René Sylvestre, who would have traditionally been next in line of power died Wednesday, June 23 after testing positive for Coronavirus, Judge Jean Wilner Morin, the president of the national association of Haitian judges, told CNN.

Public figures worldwide have denounced the assassination, including U.S. President Joe Biden, who, in a statement on Twitter, wrote that he was “shocked and saddened to hear of the horrific assassination of President Jovenel Moïse and the attack on First Lady Martine Moïse of Haiti.” He also condemned “this heinous act.” He added, “And stand ready to assist as we continue to work for a safe and secure Haiti.”

In a statement to The Times, former President Michel Martelly, a widely known “bad boy” musician turned politician, whom Moïse succeeded in the November 2016 elections, called the assassination “a hard blow for our country and for Haitian democracy, which is struggling to find its way.”

Adequate leadership is something Haiti has long fought to maintain since its days under the ruthless dictatorship of the Duvalier Dynasty, which consisted of father François “Papa Doc” Duvalier and Jean-Claude “Baby Doc” Duvalier. The father-son duo ruled the country from 1957 to 1971, and then from 1971, Jean-Claude succeeded following his father’s death. However, he was ultimately overthrown by an uprising in what would be the final year of his term in February 1986.

A similar narrative echoed out in the months leading up to Moïse’s untimely demise. The island of a little over 11 million people had already seen a spike in gang violence, including kidnappings of young schoolchildren and even church pastors primarily in the capital, which displaced more than 14,700 people. Subsequently, locals have been cautioned to stay away from specific areas ascriminal activity intensified. In addition to the ongoing COVID-19 pandemic, the country also still grappling with the aftermath of the 2010 7.0 earthquake that killed between 220,000-300,000 people; injured hundreds of thousands more, and left millions without shelter. Moreover, 60 percent of the population lives below the poverty line. At the same time, many activists and critics have accused its now dead leader of being divisive, and staying in power longer than he should have and ignoring his duties.

Born on June 26, 1968 in Trou du Nord, Nord-Est, Haiti; the slain politician was the son of merchant Etienne Moïse and seamstress Lucia Bruno, according to his bio on Caribbean Elections. He later moved to Port-au-Prince when he was 6 and studied at the Don Durélin National School, the Lycée Toussaint Louverture, and the Cultural Center of the Collège Canado-Haïtien. He later studied political science at Université Quisqueya, according to his bio. Moïse had hopes of becoming a successful businessman.

After marrying his classmate and the now-former first lady in 1996, the pair relocated to Port-de-Paix, where Moïse established several business ventures, including JOMAR Auto Parts. The entrepreneur also helped create Haiti’s first agricultural free trade zone, a 25-acre banana plantation in Nord-Est, which employed 3,000 farmers. Shortly after, he partnered with Illinois-based company Culligan Water to distribute water to various areas in the country. Other dealings included the establishment of solar power in under-resourced areas.

Getty Images for Concordia Summi

In 2015, former president Martelly handpicked Moïse specifically to reign over his newly founded political party, the Haitian Tèt Kale Party (PHTK), the creole phrase meaning the Haitian “Bald Headed” party. Prior to being selected, Moïse had been a former chamber of commerce leader.

During his campaign, the politician championed issues such as bio-ecological agriculture and policies formerly pursued by his predecessor, including universal education and health care, energy reform, and the creation of jobs — just to name a few. However, many were unfamiliar with the rookie politician and simply knew him as “the banana man.”

In interviews, Moïse would lean heavily into his upbringing, growing up on a large sugar plantation in hopes to gain support from residents of the country primarily made up of a rural population. He was once quoted saying, “Since I was a child, I was always wondering why people were living in such conditions while enormous lands were empty.” He added, “I believe agriculture is the key to change for this country.”

His journey to presidency, however, was paved with controversy from its very beginning. Elections were held in October 2015, and Moïse garnered 32.8 percent of the votes while competing against 54 other candidates. The win pinned him against second-place finisher Jude Célestin, who later accused the elections of fraud amid violent protests. The results from that election were consequently annulled in June 2016, and a second runoff was scheduled for later that year. Meanwhile, Jocelerme Privert had been serving as acting president until a new election could be held. In November 2016, election officials said Moïse dominated. He was sworn in office in February 2017.

The politician spent most of his time waging political wars against his opponents and failed to hold elections on all levels throughout his presidency, leaving vacant spots in the country’s government. Elections were supposed to be held in 2018, but Moïse claimed the country was too unstable to have a fair election. Meanwhile, he faced allegations of corruption as many of the oppositions accused him of trying to consolidate power and prolong his term in office.

As the civil unrest in the country worsened around March 2021, many called for the U.S.-backed politician to step down, citing a law that claimed a president’s term starts the day he is elected rather than when he takes office. However, Moïse declined to resign, maintaining that his five-year term would end in 2022. He also did little to ease tensions between him and the people he swore to govern in good faith, and remained silent as violence escalated and many lived in fear. For more than a year, the former banana executive ran the country on decree — a style traditionally used by dictators, though he routinely denied the title.

It’s not surprising that he gained plenty of enemies in the process. In February 2021, as concerns over Moïse’s term length grew, BBC reported that nearly two dozen people were arrested, including a top judge and a senior police office, in an attempt to kill the politician and overthrow the government. Cash and weapons, including assault rifles, machine guns, and machetes, were seized as the arrests were made. In a statement captured by the outlet, Moïse thanked his head of security. “The goal of these people was to make an attempt on my life. That plan was aborted,” he added.

Meanwhile, the late president’s failure to uphold his duties, including assigning government positions, has already shown to be damaging. The country that once gained its independence from the French and became the first Black-led republic to do so in 1804 now has no leader. And it’s unclear who can approve replacements and who will officially supersede Moïse. CNN reported that the Haitian Armed Forces and National Police have been deployed to the streets for now.

In the wake of Moïse’s death, the country’s future remains uncertain, and more mayhem is to be expected. In the meantime, the nation has set a two-week mourning period to honor the fallen politician. CNN reported that it is scheduled to begin on Thursday (July 9) and will end on July 22. As of late, Moïse is survived by his wife and their three adult children, daughter Jomarlie Moïse, and sons Joverlein Moïse and Jovenel Junior Moïse.

‘This Had an Urgency to It’: ‘American Skin’ Stars Omari Hardwick and Theo Rossi Discuss the Film’s Release Following the Attacks on Capitol Hill

Nate Parker is making his return to the film world as both an actor and director in a drama titled “American Skin,” a tale about race and injustice which presents itself like a event ripped from the headlines.

The film tells the story of Marine veteran Lincoln “Lin” Jefferson, played by Parker, who, after witnessing what he believes to be the subsequently unpunished murder of his 14-year-old son by a white police officer, executes a series of actions he hopes will finally bring about justice for his late son. 

Having debuted at the Venice Film Festival in 2019, “America Skin” is an audacious move by Parker, whose previous film attempts were overshadowed by scandal and backlash. However, as Omari Hardwick told Atlanta Black Star, and his cast mate Theo Rossi supported, “This is one of those movies where there’s not a lot of wait for timing. This was like urgent.”

Hardwick added, “This had an urgency to it. Theo and I’ve spoken about it prior, it being that of a timeless nature. You know, it’s timeless. And because of that, it’s priceless in terms of the conversation being had.” 

Both actors expressed the idea that the film and their roles in it were “necessary” and maintained that they had a “duty” as artists to be part of the project despite any critic’s personal antipathy toward its lead star.  

The former “Power” star said he was compelled to join the project by the quality of Parker’s screenplay. “Nate wrote it so intricately and gave everyone a conversation,” Hardwick said. “That was good for me. I was in.”

“Very rarely do you get involved with a piece that shows everyone speaking, everyone,” Rossi chimed in. “You get things when people speak. Right. But what I’m saying is that in such volatile subjects, in things that people are so tender around, they don’t want to talk about it all because then everybody’s usually yelling. This is a town hall in a film.”

Some might say recent political events, more specifically the insurrection that took place at the U.S. Capitol on Jan. 6, makes the timing of “American Skin’s” release especially appropriate, but Hardwick disagreed. The star admitted that he’s not expecting everyone to run out to see the film, especially now, given what transpired last week in Washington. “But if we know that the events of the 6th of January happened in 2020, wouldn’t it have been incumbent upon us to tell the story?” he questioned. “When we signed up for Nate, we had to tell the story because look what’s happening five days ago.”

Instead, the actors stressed the benefits of having more conversations and town hall meetings, similar to the one depicted in the film, and other solutions that could begin to chip away at a longstanding social issue in this country.

“We all know from history that people have shot up churches.There is no thing that somebody is going to look at and go, ‘Oh, that could incite, that could this.’ No. It could start a conversation,” Rossi expressed. “We need to start having people talk, not into the void [social media postings] not into something that doesn’t talk back. Into rooms with people together, looking at each other, having conversations. But it all starts with the words, and we’re just not doing that. So we have to hope that this [“American Skin”] sparks that in any way.”

“American Skin” was released nationwide on Friday, Jan. 15. It stars Nate Parker, Omari Hardwick, Theo Rossi, Sierra Capri, Beau Knapp, Shane Paul McGhie, Nicole Randall Johnson, and Mo McRae. Hollywood veteran Spike Lee is also a producer of the film.

*Also published at Atlanta Black Star



Journalist Gia Peppers Talks New Audio Series ‘More Than That,’ Cancel Culture and the Need to Take the ‘Power Back’ to the Black Community

In the recent year, members of the Black community have taken to social media and other outlets to express their disdain for the types of content created regarding the Black experience. While several figures in Hollywood have begun to shift the ways in which audience members view Black people, including writer and producer Issa Rae, director and writer Jordan Peele, and show-creating savant Shonda Rhimes, people are still yearning for more. 

Recently Atlanta Black Star sat down with entertainment journalist Gia Peppers to talk about her latest endeavor and how she has been using her platform to tell the stories that matter to the Black community via her latest series, “More Than That with Gia Peppers.”

Peppers explained that “MTT” — a nine-part audio series created in collaboration with One Solution, a division of Urban One — aims to deliver “conversations that will inspire people but also be informative to the Black community.” 

“They realized that we all have these incredible things that we’re doing in our community. We all have these great ways that we’re making moves and understanding how our different creativity has really moved everything in this world,” Peppers explained. “They also wanted to make sure that everybody understands how to live better. At this point, we have so much access to knowledge and information, why not start having these conversations on a show that is able to really bring together the different ways that different communities within our communities are living.”

Essentially described as a “sonic journey,” “MTT” covers an array of in-depth conversations on topics such as finance, mental health, the Black family, and even nutrition. 

“We have conversations about why veganism has taken off and why it’s so important to grow your own food now. And why farming has become a major point of conversation in our lives now and why it’s important that we kind of go back to the land and really heal ourselves and really understand what it is that our ancestors built here,” Peppers explained. “Yes, it was a painful and horrible time that that happened within slavery, but also our ancestors built all of the fertility of this land in this whole country. So we also have to pay respect and go back there, and that’s one of the things that our guest Samantha Foxx [does]. She is the owner and founder of Mother’s Finest Urban Farms, and she is a Black woman farmer that came on and changed my whole thinking about why it’s important to grow your food.” 

With the help of major brands, including Kroger, Procter & Gamble, and Charmin, Urban One curated engaging discussions that “align” with what those companies do as product and service businesses.

“We had conversations about the Black maternal mortality rate for our Charmin and Pampers episode,” the media personality revealed. “We had the conversation about why food fuels you and why it’s important to eat healthy and not just, you know, say, ‘I do this and that,’ but why certain foods are better for the nutrients in your body, and that was sponsored by the grocery store chain Kroger. It was a really cool way to have a conversation around Black wellness and understanding from our perspective, how we can really understand how to live better.”  

While reflecting on her experience creating the show, Peppers shared some of her favorite moments, including being joined by her parents and siblings for a discussion surrounding the Black family and what that dynamic meant to them.

She revealed she also got a chance to talk to her father — who is also a journalist — during one episode about financial literacy and “how he understood finances as a young Black man in this country.” She added, “I’ve been having really awesome conversations with people who matter to me, but to have my family on an episode that is aired nationally means the world to me.”

With this show, the media personality hopes that listeners will be more inclined to question things and be less “ashamed for not knowing.” “I think it so unfortunate that part of our cancel culture is kind of shaming people who don’t know already the things that they need to know,” she added. 

“MTT” promises to deliver elevating discussions that are important to the Black community in a manner unique to the medium, which seemingly comes at a time when the narrative of the Black experience is shifting in every aspect from the way it’s created, delivered and consumed by its audience — a movement Pepper sees already in full effect.

“Young Hollywood is very much aware of their power and their presence,” she explained. “They’re taking the power and the presence back to the Black community in order to inspire more storytellers to have the courage to tell their own stories.”

“More Than That with Gia Peppers” is available on all streaming platforms where podcasts are available. 

*Also published at Atlanta Black Star

‘Wolves Were Taking A Lot of My Money’: Ginuwine and Angie Stone Reflect on the Ups and Downs In Their Careers, Jodeci and Betty Wright Ahead of 2021 Black Music Honors

The sixth-annual Black Music Honors promises to be an extra special one this year as it falls on June 19, also known as Juneteenth, which commemorates the end of slavery in Texas and, for the first time in over 150 years, will be observed as a federal holiday formally known as Juneteenth National Independence Day. 

The musical ceremony acknowledges some of Black music’s legendary artists who’ve “influenced and made significant musical contributions to African American cultures and American music worldwide.” This year’s honorees include soul/neo-soul singer Angie Stone (Music Icon Award), R&B singer Ginuwine (Urban Icon Award), gospel artist Marvin Sapp (Gospel Music Icon Award) and jazz pianist Ramsey (Legends Award). The National Museum of African American Music will be presented with the Legacy Award. 

These artists have not only reached success in their careers in the music business, but their influence could be heard in some of today’s top acts. Atlanta Black Star recently got to sit down with several of this year’s honorees, including Grammy-nominated and chart-topping Ginuwine and Soul Train Lady of Soul winner and songwriter Angie Stone. Both stars discussed some of the advice they received from other acts that arguably contributed to their longevity in the music industry. 

Ginuwine made his introduction as a solo artist in 1991 with the single “Pony” off his debut album “Ginuwine…The Bachelor.” From there, he says he hung around 1990’s iconic male R&B group Jodeci during the height of their career. As a result, the singer says he got to “see a lot of the things that I should do and shouldn’t do.” The 50-year-old jokingly said he got to meet “Puffy [Sean Combs] when he wasn’t Diddy, Mary J Blige and just a host of other people.” 

Ultimately, the interactions left him with a core set of ethics that he passes to burgeoning artists today, such as the importance of wearing “more than one hat.” Ginuwine stressed that not being active in all areas of your brand early on could easily cause you to overlook career landmines and pockets of potential opportunities. He continued, “Throughout my business, I was so stuck in being an artist I didn’t understand that the wolves were taking a lot of my money, and I never understood it until I got more seasoned in the business and took control over everything that my career had to offer.”

When posed with the same question, Stone took the time to share her moment with soul and R&B singer and songwriter Bessie Regina Norris, better known by her stage name of Betty Wright. The Miami, Florida, native, whose career propelled in the ’70s, is best known for her classic records such as “Clean Up Woman” and “Tonight Is the Night.” Stone detailed what the Grammy Award winner meant to her and how it made her the artist she is today.

“For me, I have to share these flowers with Ms. Betty Wright. Mainly because as a young girl, I listened to her Gladys Knight and all the peoples that people say I remind them of,” she began. Upon meeting, Stone says the two women instantly clicked, and Wright would ultimately take the songstress under her wing. “We both were Sages [Sagittarius ], and we both had the same spirit,  same kind of humble heart, and she would teach me along the way when things wouldn’t go the way that they should go,” she continued. “She would always give me a phone call and make sure that I knew ‘Hey, this has happened to me. Shake it off. Don’t worry about it.'”

The “Brother” singer said the three-time Grammy winner’s resilience left a lasting effect on her. “The greatest gift I learned from her was that her faith was unshakable and what she did was in part in me that spirit for ministry just to know that this is not everything in the world, that everything that we got didn’t belong to us, that it belonged to Him. So, as a result, I built my foundation on the spirituality of what Christ had given me,” she explained. 

Stone believes the woman who dominated the “whistle register,” a term used for the highest register of the human voice, didn’t get the right kind of recognition an artist of Wright’s stature deserved. “So, as a result, she became my best friend, my buddy in the end right before she passed. I was there with her, and I saw a queen. And I just have to say to everyone. I wanna thank her publicly because she, in my opinion, was one of those ones that didn’t get her roses—not the ones that she deserved,” she added.

*Also published at Atlanta Black Star. 

‘I Changed the Whole Narrative’: Dancehall and Reggae Artist Kranium Dishes on Famous Family Ties and Musical Interests

Dancehall and reggae artist Kranium gained popularity in 2013 with his international hit single “Nobody Has to Know.” A year later, the track, which also has a remix featuring Ty Dolla $ign, landed him a music deal with Atlantic Records.

Since then, the 27-year-old, whose real name is Kemar Donaldson, has been steadily creating a solid presence with his unique sound that blends authentic reggae tunes with a melodic flow. Earlier this year he celebrated the release of his latest project, a five-track EP titled “Toxic.”

Atlanta Black Star recently chatted with the burgeoning star, when he discussed his musical influences, his ties to legendary reggae star Screwdriver, and which entertainers he’d like to see go head to head on the popular social media event, “Verzuz.”

Born in Montego Bay, Jamaica, in 1991, Kranium moved to Miami, Florida, in 2005 but only stayed roughly a year before heading to the Jamaica district of Queens, New York. Kranium’s fan base is global, with supporters in Germany, the Caribbean, Australia, and various African countries. And much like his audience reach, Kranium’s musical influences span over a wide range. 

“I listen to mostly old-school music, anything old-school — old-school soul, old-school R&B,” he revealed. “Sam Cooke is one of my favorite artists of all time. I listen to Beach Boys, Bobby ‘Blue’ Bland. I just listen to old stuff.”

Kranium also comes from a musical background, being the nephew of reggae legend Screwdriver, whose own roster of hits include “No Mama (Sharon Yuh Pregnant?)” and “Family Counsellor.” Before moving to New York to focus on his music career, Kranium was staying with his uncle for a bit in Miami.

When asked if he ever felt pressured into achieving certain goals because of his ties to otherwise famous people or how they may reflect on him as an artist, Kranium explained that he doesn’t allow outside forces to dictate his creative journey. “I never feel pressured to do anything when I’m creating or trying to create,” he said. “I just do whatever I feel like in the sense — I go with however I feel. I feel it’s right, it’s right. It’s that type of vibe. I never put myself in that type of situation. A lot of people know, or for those who don’t know … Like me, breaking as a dancehall artist in America, it doesn’t really happen much. It’s like one in a million chances of it happening. And when I came in the game, I changed the whole narrative of overseas artists breaking in dancehall not being Jamaican. You have so many artists now who aren’t even from America. Who live here and don’t feel they have to rush back home to get that love.”

He continued, “I think when you don’t think about the acknowledgments or the pressures of trying to do it [get a hit single], I feel like that’s when things fall naturally. But for me, I’ve never [felt] pressured. I’ve never panicked once. I always make good music that gives me enough time to create something new again.”

Kranium’s plain-sailing approach to his career is reflective in his stance in other aspects of the music industry. Award shows such as the Grammys were created to honor some of today’s top acts. However, in recent years, they have faced intense backlash over the lack of diversity amongst the award gatekeepers. That in turn affects the type of acts chosen each year, ultimately leading to the very same range missing up top. 

Kranium believes artists are too wrapped in the glitz and glamour of award ceremonies when there are other areas of artistry that should take precedence, telling ABS straightforwardly that he doesn’t care about award shows.

“I don’t really care about awards. Everybody’s different. I don’t’ really care about awards. I feel like a kid when I get an award,” he said. “Acknowledgement is great. I’m with acknowledgment. I feel like that is more important to me than an award.”

He continued, “I do believe that it is no different than from being in school. At the end of the day, everybody needs their report card to see what they did and what they need to push for. I’m with awards if it’s done properly. Let’s just put that out there. If it’s properly done, then, yes, I’m 100 percent in. I think award shows for me is less of fear, for me, if you’re an artist that already made it big. I think it’s more so of exposure for new artists.”

The singer revealed he enjoyed watching newer acts perform on the smaller stages at ceremonies. “I remember the first day I discovered Lucky Daye when I watching these awards,” he said. “Even though I didn’t know who he was, now I know who he is. I’m more into the what’s new, what’s fresh. I feel like we’re all introduced to each other without even knowing it.”

Kranium continues to work on expanding his exposure and that of the genre. Music lovers got a chance last year to tap into the world of dancehall and reggae when two of the  most prominent figures from the genre, Beenie Man and Bounty Killer, went against each other during a special edition of “Verzuz.” The star rated it as one of the best matchups for the event thus far before noting that he would’ve loved to see Mariah Carey and the late Whitney Houston go up against each other.  

Kranium, who is proud of not only the accomplishments he’s made so far in his career but also of his heritage and the music it encompasses, leaves fans with a simple message: “Continue to support dancehall music. Even if you’re not a fan of Kranium, find the best dancehall artist that you think is good to you and support them.”

*Also published at Atlanta Black Star .

‘To Be Young, Gifted, and Black’: Remembering Actor Chadwick Boseman

The Black community has lost its superhero. Actor Chadwick Boseman, most notable for his role as King T’Challa, leader of the fictional African country Wakanda in the movie “Black Panther,” passed away on the evening of Friday, Aug. 28, after a private four-year battle with colon cancer. He was 43. 

“A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much,” a statement on his Instagram page read, revealing the tragic news. 

Undeniably, the South Carolina native was nothing short of an amazing actor, but for many, he was indeed the Black superhero we needed. But unbeknownst to his fans, the actor was fighting one of the greatest battles in his life off-screen. In April 2020, Boseman left his fans worried after he attempted to talk about Operation 42 donation project, a campaign designed to donate personal protective equipment to hospitals serving African-American communities — which had been hit hard by the coronavirus pandemic. The actor appeared much slimmer than usual in the video, which had many worried about his health and, unfortunately, many poking fun as well, not knowing the grave health complications he was facing. The comments were so bad the actor was forced to take down the video.

Yet, despite setbacks, he continued to push through because, in a way, Boseman, like most superheroes, had something that many did not. The “21 Bridges” star not only had a purpose, but he knew his goal and seemingly never took on a job without intentions of fulfilling that purposefulness.

The 2000 Howard University graduate took on roles that spoke volumes to a community thirsty for representation. Whether it was in his first major film, the 2013 Jackie Robinson biopic “42,” or as a war veteran in Spike Lee’s 2020 film “Da 5 Bloods,” Boseman delivered breathtaking performances on the screen while simultaneously undergoing intensive surgeries and rounds of chemotherapy. The actor’s cancer diagnosis came in 2016, but he still chose to take on demanding roles as the disease progressed. Boseman appeared in “Avengers: Infinity War” and “Avengers: Endgame,” respectively. The star appeared in at least five movies since his diagnosis.

Boseman knew the work needed to be done. He knew that to his community, these films were more than just a cool flick to see with a group of friends. He knew that movies like “BP” would impact the Black community in ways art had never done before. His drive showed furthermore when he fought producers to include African languages in “Black Panther.” The actor was quoted as saying, “This is such an important factor that if we lose this right now, what else are we gonna throw away for the sake of making people feel comfortable?'” In turn, it proved to be more than successful. “Black Panther” broke records, not only grossing over $1.3 billion worldwide but also becoming the first Marvel film to score a Best Picture nomination at the Academy Awards. “Black Panther” moviegoers came to theaters in droves clothed in Afrocentric outfits to pay homage to the costumes designed by Ruth E. Carter, who won an Oscar for costume design on the film at the 91st Academy Awards.

The movie brought so much pride to Black people that fundraisers were held, and theaters were bought out so that Black children from disadvantaged neighborhoods could see the film. Think pieces were written, and the conversation about the importance of STEM (science, technology, engineering, and mathematics) in the Black community, which was also a centralized topic in the film, grew. 

Yet, our superhero remained humble as he once thanked legendary actor Denzel Washington for inadvertently playing a considerable role in his career. Washington was one of the benefactors who gave money to a scholarship program that enabled students at Howard University to study acting in England.

Upon hearing of his passing, the “Training Day” star released a statement sending his condolences. “He was a gentle soul and a brilliant artist, who will stay with us for eternity through his iconic performances over his short yet illustrious career,” Washington expressed. “God bless Chadwick Boseman.” Washington is a producer on what will be Boseman’s final film, “Ma Rainey’s Black Bottom,” an adaptation on the 1982 August Wilson play about “The mother of Blues,” Gertrude Pridgett.

Other celebrities and public figures reacted to Boseman’s tragic passing, including his “Black Panther” costar Angela Bassett. The actress, who played Boseman’s mother in the film, shared a series of photos of the two in and out of character on her Instagram.

Sen. Kamala Harris, who also attended Howard, said she was heartbroken over Boseman’s death. “My friend and fellow Bison Chadwick Boseman was brilliant, kind, learned, and humble,” she tweeted. “He left too early but his life made a difference. Sending my sincere condolences to his family.” Boseman’s last post on his Instagram account before his passing was a photo of himself and Sen. Harris.

Without a doubt, although short, Boseman’s career fulfilled his purpose. He was a hero to us all. He came at a time when the Black community needed to be seen and heard in rooms where we were once voiceless, and he made sure that we were heard louder than ever before. In that same spirit, he left us on a day that is fundamentally meaningful to the Black community. Friday, Aug. 28, marked Jackie Robinson Day, which celebrates the man Boseman portrayed in “42” who broke color barriers in Major League Baseball. It was also the anniversary of the historic 1963 March on Washington for civil rights.

Boseman died at his home in the Los Angeles area with his wife and family by his side. Though he may be gone, he will live on eternally. To our superhero, Wakanda forever.

*Also published at Atlanta Black Star.

Award-Winning Cartoonist Keith Knight Talks Hulu Show ‘WOKE’ and Discusses the Pressures to Tell Black Stories

Black cartoonist Keef Knight, played by actor Lamorne Morris, is on the verge of mainstream success. Throughout his career, Keef has proceeded with caution regarding sensitive topics in an effort not to take controversial stances. However, his perspective suddenly changed after an unexpected encounter with an overaggressive police officer left him traumatized. Shortly afterward, Keef discovered that he could now see and hear inanimate objects talk to him. 

Now more sensitive to racism and the everyday microaggressions he’d tried so hard to avoid acknowledging in every situation, Keef must now figure out how to uphold his relationships and a career as a new socially conscious Black man in the new Hulu series “WOKE.”

Series co-creator Keith Knightan award-winning artist best known for his comic strip “The K Chronicles,” recently spoke by phone with Atlanta Black Star to talk about his new show. Knight revealed that “WOKE” is partially inspired by his life and work as a cartoonist living in San Francisco, California.

“I’ll just tell you what it is,” he began. “I was profiled by the police, but the eye-opening part of it was my white roommate getting up in the cops’ faces and them not doing anything. That was like the real moment that shocked me,” he explained. “It’s not that I didn’t know, but when you see [it] happen right in front of you, you go, ‘Oh, this is the thing I’ve been hearing about.’”

Knight talked about the inspiration behind “WOKE,” jokingly claiming that he needed to get another gig, so he tried his hand at developing something for television. “I just felt like I had some good stories and good sensibility that translated well,” the Boston native said. “I moved out from San Francisco down to L.A. to try to make it happen.”

Knight explained that throughout his journey in creating the show, he ran into a network of individuals that would ultimately help him get his project in Sony executives’ hands. “I just felt like my work translated well to the small screen, and luckily I got together with some really great people and writers, and everybody’s been really cool,” he said. 

When asked if he ever felt pressured to tell stories that spoke to the current social climate or the culture, Knight revealed that his focus was more on telling his own story, a method he feels that all storytellers should follow.

“I think, more importantly, it’s important to tell your story. If you could tell your own authentic story, I think it’s a positive thing, and I don’t think anyone’s story’s so unique that it wouldn’t resonate with a lot of other people,” he expressed. “I’ve always found that when I create something, I’m creating something that I personally want to see. So, I create comics that I would want to read, and that’s how I’ve always moved forward.” He added, “But I just feel like if I do that, if I can amuse myself, if I can make myself think if I can make myself go, ‘Yeah. Wow.’ That, ‘yeah, I can relate to that,’ I just feel like a lot of other people would be able to do that.” 

Viewers have seen examples of Knight’s approach in film and television shows like HBO’s “Insecure” or Starz’s “P-Valley.” Still, the rate at which newer and more diverse stories surrounding the Black experience emerge doesn’t appear to suffice.

“We would love to see more stories that aren’t couched in oppression. I would love to see more stories that are just about fun and joy and adventure,” Knight said. He added, “I can’t say it’s the only way it’s going to change, but we need people that look like us in positions of power in Hollywood as the gatekeepers. And it’s not just everyday stuff, but even just like fantasy, you know. I want to see a Harry Potter where the lead is a Black kid. I think that’s the biggest thing for me is just seeing Black leads in all sorts of different situations.”

With “WOKE,” Knight hopes that viewers laugh despite its dramedy label. “I want people to laugh, and then I want people to think,” Knight said. “I want people to just consider acting and do something when stuff like this [racial injustices] happens. Call stuff out.”

WOKE was co-created by Knight and Marshall Todd, who also serve as executive producers alongside several others. The show stars Lamorne Morris, T. Murph, Blake Anderson, and Sasheer Zamata. The show is available for streaming now on Hulu.

*Also published at Atlanta Black Star.

Steve McQueen Reveals John Boyega’s Speech at Black Lives Matter Rally Inspired Him to Reshoot the Actor’s Scenes for His ‘Small Axe’ Film Anthology

A decade ago, director Steve McQueen embarked on a journey into making his “Small Axe” anthology. Five stories — “Mangrove,” “Lovers Rock,” “Red, White, and Blue,” “Alex Wheatle,” and “Education” — unbeknownst to him, would eventually and unfortunately depict almost a mirror image of today’s social climate. Inspired by real-life events, the award-winning filmmaker tells the accounts of ordinary people overcoming injustices and police brutality in the West Indian community of London.

John Boyega, the movie’s lead actor in “Red, White and Blue,” portrays real-life figure Leroy Logan, a member of the London Metropolitan Police Force, who both witnessed and experienced firsthand the organization’s fundamental racism.

After authorities brutally beat his dad, Logan leaves behind a successful career as he goes on a quest to dismantle the system that he so much respected but was betrayed by and the complex struggles that followed.

The premise of the film was not uncharted territory for the British actor. He made headlines this past June after giving an emotional speech in London’s Hyde Park on the inequalities minorities endured worldwide. The demonstration came as a show of solidarity following the explosion of protests that spread in the U.S. following the death of George Floyd.

McQueen spoke to Atlanta Black Star about his unique experience working with Boyega and how his ongoing display of activism played an intricate role in the film. 

“What is interesting about John was that speech he made during the Black Lives Matter march for the death of George Floyd happened in the same making of ‘Red, White, and Blue,’ ” the filmmaker revealed. McQueen became so inspired by Boyega’s courage during the protests that they “came back afterward to do some additional scenes” as a result of the star’s dissent. He added, “So that real-life integrated into his artistic life.”

The “12 Years a Slave” director further divulged into the distinctiveness of Boyega’s crusade. The filmmaker said he would even “equate” the actor’s experience during his infamous “Star Wars” conflict to that of his character Leroy’s struggles.

In September, Boyega accused Disney of positioning him as the first black lead in the trilogy’s first film, only to later “push him aside” in later movies, while his white co-star got “all the nuance.” 

“These were two poster boys to a situation,” the “Shame” director explained. “In the film, he talks about it. He becomes a poster boy, Leroy Logan, as John did in ‘Star Wars.’ So they’ve become these figures in different time frames. One in the ’80s and one in 2020, and their trajectories are stunted. And they are seen as poster boys, and it’s interesting how art imitates life.” McQueen notes, “Both of them, they want to integrate to make a change, and both of them are disappointed. It was Spooky in a way.”

“Red, White, and Blue” stars John Boyega, Steve Toussaint, newcomers Tyrone Huntley, Nathan Vidal, and Jaden Oshenye. Courttia Newland and Steve McQueen co-wrote the film. The first movie in the series, “Mangrove,” is scheduled to premiere on Amazon Prime Video on Friday, Nov. 20, with the rest premiering one week apart. In the meantime, be sure to check out the trailer down below.

*Also published at Atlanta Black Star.

Zaytoven, Tina Davis Talk New BET Music Competition, ‘Next Big Thing’

“This has never been done before and absolutely, not on this scale.”

In the past, we’ve seen music competition shows push aspiring artists to their breaking points—all in the hopes of becoming the next Beyoncé or Drake.

BET Networks is bringing a new twist to the reality music competition game with its newest show, ‘The Next Big Thing.’

Head of A&R at Empire Records, Tina Davis, entrepreneur and record executive Dame Dash, and Grammy Award Winning producer, Zaytoven, make up the panel judges also known as “The League,” alongside host, Charlamagne tha God.

“This has never been done before and absolutely, not on this scale,” says, Davis. “The finale will change someone’s life.”

Davis notes that “After watching all the other [shows],  I can’t tell you more than  2 or 3 of them I’ve ever seen in concert that can tour by themselves. Let alone, sold anything over other artists that are not even on the show. You have 50 million people watching you and you can’t go Gold—that’s a sign.” Adding, “You have to touch people. You have to be able to perform and be an entertainer to do so and this show gives you the tools for that.”

21 up-and-coming R&B and hip-hop artists will go through an intense artist development boot camp designed to create superstars.

https://www.instagram.com/tv/BzyGIGbH4r-/

Judges are looking for someone with that long-lasting star quality and dedication. But musical skills alone won’t help these acts.

Zaytoven discussed the expectations that come with this competition and why it’s not only about the music.  The producer even referenced longtime friend and collaborator, rapper Gucci Mane, as someone the contestants can learn from.

“One thing I learned about Gucci is, he’s going to do whatever it takes to keep the attention on him. Whether it’s buying jewelry and cars, whether it’s music and now he’s fit and looks a totally different person. It goes to show, to be the next big thing or the next big artist, you’ve got to have more than just your talent of singing or rapping.”

Noting that in this industry, you have to be the total package in order to survive.

“What’s else are you going to do to intrigue people? That’s going to keep people wanting to see you and watch you or even care about what your music sounds like. Gucci has been a prime example of that and that’s what we’re looking for on the show.”

Take a look at a clip from our interview above.

In case you missed it, check out the trailer below.

https://vimeo.com/345131176

 The Next Big Thing airs every Tuesday at 10 pm/9 pm CT on BET.

TV One's ‘In Broad Daylight’ Cast Open Up On Their Roles

It will take her determined cousin and a community to bring a young mother home to safety.

TV One is bringing true crime films all month long as part of their month-long slate of Love, Lie & Murder movie showings, every Sunday night in July.

The film stars and is executive produced by rapper Shad "Bow Wow" Moss, alongside Chyna Layne (She's Gotta Have It- Series) and Curtis Hamilton (Surviving Compton: Dre, Suge & Michel'le).

Based out of Louisiana, a young mother, Jordan Boudreaux (Lane), gets abducted by her obsessed and estranged boyfriend Steve (Hamilton). Jordan's family assembles the community while her closest cousin, Malik (Moss), makes it his personal mission to find and bring her home safely. The family, community, and police gather together to find Jordan before it's too late.

 “The thing that attracted me when I read this story is how strong and powerful Jordan is. She does not give up, she fights for her son, she fights for her life. One of the things that touched me about Jordan was how brave she was. Even when it was tough, even when she felt like she might be close to her last breath, she never stopped praying because she never stopped thinking about her child.” said Layne when describing what drew her to this role.

The film is directed by Keen Michael and will also be executive produced by Sergio Alfaro, and Michaline Babich.

“It’s very suspenseful, a lot of the stuff that happens. You don’t where the twists and turns could be. There are laughs in it—there is comedy. I think you’re going to get a roundabout of suspense and comedy and just a great story overall,” said Hamilton on what viewers can expect when watching this film.

Catch a sneak peek at the film below.

https://youtu.be/1yauFW1V608

 IN BROAD DAYLIGHT premieres on Sunday, July 14 at 8 p.m. ET/7C, followed by an encore presentation at 10 p.m.

And be sure to check out TV One this month for a new tale of love, lies, and murder every Sunday night. 

Wild Wild West Turns 20: A Timeline Of When Hip Hop And Country Westerns Collided

This articles is also published on The Shadow League.

Hip Hop has been collaborating with its southern cousin for over two decades.

In 1999, Will Smith stared in the action-comedy, ‘Wild Wild West’—a movie he claims was the “worst decision” he’s made in his career.

Surprisingly, although regarded as a commercial disappointment, the film grossed a worldwide total of $222.1 million. It was nominated for eight Golden Raspberry Awards and won five, including Worst Picture and Worst Original Song (for the song “Wild Wild West” by Will Smith).

The visual for the song was reflective of the film and even included scenes from the movie itself—a rollout Hollywood should actually revisit. The song hit no. 1 on the Billboard Hot 100 but only stayed there for a week.

Throughout the video, Smith is seen draped in cowboy couture, boots and hat to match, alongside Dru Hill and the originator of the Wild Wild Westtrack, rapper Kool Mo Dee. There’re guns, fire, plenty of beautiful women, and what’s a hip hop video without fifty-limcameos, including Baby Face, MC Lyte, and Stevie Wonder.

But despite the arguably artistic disaster of it all, Smith paired the elements of hip-hop, a little r&b, and stylings of country quite well, giving us a “country-rap” bop—celebrating it’s birthday today.

Yet the affiliation between the two genres is nothing new. The friendship can be dated back to The Rappin’ Duke's 1984 single, entitled, “Rappin’ Duke” that blended that early hip hop sound with lyrics such as “Da ha da haahh. Da ha ha hahh haahhhhh”.

And if lyrics weren’t enough hip hop would honor its country connect with videos like “Pony” (1996) by Ginuwine. Who passed up the typical flashy gear and 90s video vixen’s for a more ho-down feel, with tall glasses of beer, cowboy hats, and even a mechanical bull.

Even when musical gatekeepers such as Billboard tried to disrupt the peace between the two, their track record proved that the bond was unbreakable--an example best displayed earlier in the year by Lil Nas X and country icon Billy Ray Cyrus.

Hip Hop has been collaborating with its southern cousin for over two decades. And in honor of the 20thAnniversary of Wild Wild West, we reflect on some of our favorite moments where hip-hop and country music collided over the years.

Intelligent Hoodlum “The Posse (Shoot ‘Em Up)” (1993)

A history lesson on “black gunslingers” — “One out of every three cowboys were black/But if you watch TV, you’ll never know that”.

https://youtu.be/D_8Rarv3o8M

Outkast “Rosa Parks” (1998)

Name a better southern duo. This single off their album "Aquemini" featured a fast-blues guitar, porch-stomp percussion and a bridge featuring a turn on the harmonica by André 3000’s stepfather.

https://youtu.be/drsQLEU0N1Y

Mo Thugs Family Ft. Bone Thugs-N-Harmony “Ghetto Cowboy” (1998)

Krayzie Bone reimagines himself as a bank robber on the run, bumping into trouble everywhere he goes when he encounters Thug Queen, a horse-stealing, sheriff-killing vagabond. The pair team for some unlawful adventures.

https://youtu.be/EVm7Smq-T0c

Public Announcement “Body Bumpin (Yippie-Yi-Yo)" (1998)

The dance moves say it all.

https://youtu.be/gHCnHFcVZzU

Wyclef Jean Ft. Kenny Rogers “Pharoahe Monch Dub Plate” (2000)

Wyclef ear for various sounds is impressive and proves that with this collaboration with Mr. Rogers.

https://youtu.be/xmTm5uw0bHY

Nappy Roots “Awnaw” (2002)

The group was introduced during the rise of Southern Rap and the music they produced never strayed from their southern upbringings.

https://youtu.be/cu2XDQohtGI

Bubba Sparxxx “Comin’ Round” (2003)

Timbaland sampled the bluegrass-jam outfit Yonder Mountain String Band for a song that sounds like a baptism.

https://youtu.be/nCq5UCG6RF8

Nelly Ft. Tim McGraw “Over and Over” (2004)

If you can think of any hip-hop artist to regularly collaborate with country artist, it would probably be the Country Grammarartist himself, who also collaborated with country newcomers, Florida Georgia Line.

https://youtu.be/n3htOCjafTc

Snoop Dogg and Willie Nelson “Superman” (2011)

This is what happens when two marijuana lovers link up--you get a track about living life to its fullest despite not being Superman.

https://youtu.be/-weOXYqWmr8

Beyonce Ft. The Dixie Chicks “Daddy Lessons”(Live Performance) (2016)

Beyonce is notoriously known for surprise drops, but when the songstress appeared at the country music awards with the Dixie Chicks, neither party was prepared.

https://youtu.be/Jj1T7uHdBcY

Lil Nas X  Ft. Billy Ray Cyrus “Old Town Road (remix)” (2019)

When Billboard told Lil Nas X that his old town road hit wasn't "country" enough and took his song off the Country charts, the SoundCloud rapper when out and recruited the biggest country element he could find--Billy Ray Cyrus. Since then the two have been chilling at the No. 1 spot.

https://youtu.be/w2Ov5jzm3j8

Editor's Pick: Shawn Brown- "Rappin' Duke" (1984)

Today's generation is too young to remember the Rappin' Duke, but he was the first to bring the country feel and slang to hip hop back in 1984. Featuring Shawn Brown doing his impersonation of John Wayne as a rapper, "Rappin' Duke" was the original hip hop/country music infusion.

https://www.youtube.com/watch?v=RAkB1CabkAo

Happy 20th Wild Wild Wild West.

Mayo Twitter Continues Crying Over Halle Bailey's Ariel In "Little Mermaid" Remake

Article is also published on The Shadow League.

We probably shouldn’t tell them Brandy starred as Cinderella back in the day.

Remember that rumor about Idris Elba playing the next James Bond and how the bigots were upset? Well, now their daughters are on Twitter having a fit.

Earlier this week, news broke that singer-actress, Halle Bailey, will star as Ariel in Disney’s upcoming live-action remake of The Little Mermaid.

https://twitter.com/chloexhalle/status/1146509551497170944

Ariel is a mermaid, and the rebellious daughter of King Triton, who dreams of the day that she could live on dry land.

Robin Marshall— who is responsible for Mary Poppins and Mary Poppins Returns— is set to direct.

Actors, Melissa McCarthy, Jacob Tremblay and Awkwafina are in talks to star and lend their voices to other live-action and CG parts.

"After an extensive search, it was abundantly clear that Halle possesses that rare combination of spirit, heart, youth, innocence, and substance — plus a glorious singing voice — all intrinsic qualities necessary to play this iconic role,” said Marshall in a statement.

The 19-year-old, along with her sister Chloe, make up the R&B duo, Chloe X Halle.  The pair were signed to Beyoncé’s Parkwood Entertainment label after gaining popularity doing cover songs on Youtube. The sisters also star alongside Yari Shadi in the Blackishspin-off on Freeform, Grownish.

In other words, Halle is not only booked and busy but highly qualified to play the part.

But despite her credentials, mayo-Twitter can’t seem to accept it. When word got out, rage and racism flooded the Twitter streets, many expressing distress over the decision and demanding a “true-to-color” Ariel.

Um, did I mention Ariel is a mermaid?

Check out some of the ridiculous reactions below.

https://twitter.com/AngieMoekie/status/1146527825501011968

https://twitter.com/andrew_grow/status/1146525277109047297

And this one sums up the whole #arieliswhite nonsense.

https://twitter.com/mippy/status/1146724157352239104

In case you wanted proof that Halle is the real deal, check out this little clip.

https://twitter.com/acalderon_20/status/1146588767169458176

Damn! So yeah, be sure to bring the kids out when this movie drops.

An early 2020 production start is being planned.

Lil Nas X Challenges Billboard, Recruits Billy Ray Cyrus For Old Town Road Remix

Article is also published on The Shadowleague

Is it country enough for you now?

SoundCloud rapper Lil Nas X made headlines earlier this year when his song “Old Town Road” went viral. The track, which samples Nine Inch Nails’ 34 Ghosts IV, is mixed with what some might call a “country-trap” beat and makes direct references to The Red Dead Redemption 2 video game.

The song has gotten so popular, it’s been given the green light from country artists like Florida Georgia Line’s Brian Kelley.

While “Old Town Road”—labeled as a country on SoundCloud—initially debuted on Billboard’s Hot Country Songs chart, it was later removed because “it does not embrace enough elements of today’s country music.”

Disappointed by the news, Lil Nas X did the only thing he could do and recruited the OG country hitmaker himself, Billy Ray Cyrus.

Cyrus announces himself immediately on the song by singing the first hook, “I’m gonna take my horse to the old town road. I’m gonna ride ‘til I can’t no more.” The 'Acky Breaky Heart' artist then returns towards the end of the banjo-heavy single emphasizing the track’s topics of fancy jewelry, expensive cars and living a stress-free life.

Cyrus doesn’t directly address the birther-esque dispute surrounding OTR but it has since been a hot topic of discussion considering how white artists are notorious for galivanting across genres. Most notable being Cyrus’ equally famous daughter Miley Cyrus, who had a brief relationship with Hip Hop.

Miley “distanced” herself from the genre back in 2017 telling XXL magazine that “It was too much ‘Lamborghini, got my Rolex, got a girl on my c**k’—I am so not that.” Fast forward to 2019, Miley tells Complex that her new album will have more hip-hop leaning records on it.

Alas, it’s easy for Miley’s music to be considered hip-hop with help from friends like Mike Will Made It and others. Yet in the case of Lil Nas X, despite the banjos, country references, and a country accent—it just isn’t country enough for Billboard.  Perhaps that’s all X was a missing—a Billie Ray verse.

“Old Town Road” currently holds the Number 15 spot on the latest Hot 100. The track continues to stream this week — it’s currently the only song on Spotify’s Top 5 in the U.S. not by Billie Eilish.

It’s also gaining support from pop radio: 39 new stations added the song this week, according to Nielsen BDS.

Why Beyonce’s Adidas Deal Is A Lesson In Brand Ownership

Article is also published on The ShadowLeague .

There’s a lot to cover so pay attention.

Global superstar Beyoncé recently announced that she would be releasing new music soon. Unfortunately, sources say it won’t be a full-length record but instead a “couple of new tracks [for] a deluxe album filled with old songs.”

It’s still not clear whether this project will be some sort of Lemonade deluxe edition or an anniversary set for one of her older releases, either way, new material is being worked on.

The Houston native also has a Netflix special in the works. The special is said to be partially focused on her legendary HBCU inspired 2018 Coachella performance and will feature unspecified additional footage. The 26-song set is getting a full breakdown and behind-the-scenes look at how the extraordinary performance all came together.

As if this news wasn’t exciting enough, Thursday, Adidas announced that it has signed Beyoncé to what is being described as a “multi-layered” deal.

According to CNBC’s Jess Golden, Beyoncé will become a creative partner for the brand which will include the launch of signature sneakers, apparel, and will also serve as a relaunch to her athleisure brand Ivy Park. This deal also marks Beyoncé’s first step into the footwear market.

“This is the partnership of a lifetime for me. Adidas has had tremendous success in pushing creative boundaries. We share a philosophy that puts creativity, growth and social responsibility at the forefront of business. I look forward to re-launching and expanding Ivy Park on a truly global scale with a proven, dynamic leader," Beyoncé said.

The songstress launched Ivy Park in 2016 however, last November, Beyoncé’s Parkwood Entertainment company cut ties and bought out Topshop billionaire, Phillip Green, to become the full owner of Ivy Park, following allegations of sexual harassment and racial abuse against the businessman.

With the Adidas partnership, Beyoncé will remain the owner of Ivy Park, noting that she is "one of the first black women to be the sole owner of an athleisure brand."

Beyonce continuously proves that she is a force to be reckoned with. And that when it comes to anything she does, it’s on her terms or bust.

Last year Beyoncé got full control over her Vogue cover in which she hired the first Black photographer in the magazine’s 126-year history. Further proving that when Beyoncé wins, the culture wins.

Shaq Talks Papa John's, Brand Extension, And Dealing With Racist Fans

I sat down with NBA legend, successful investor and entrepreneur Shaq to talk about his new deal with Papa John’s pizza, brand extension and more…

NBA legend, investor, and successful businessman Shaquille O’Neal is no stranger to brand extension. So when news broke that Shaq would be joining the Board of Directors for pizza franchise Papa John's, it came as no shock.

Last Friday, I had the opportunity of sitting down with Shaq to talk about his new venture, the importance of extending and taking full control of your brand and the state of racist fans heckling athletes.

When Shaq first spoke to Papa Johns’ CEO, Steven Ritchie, he was looking to own some franchises. After a brief discussion, Ritchie returned offering Shaq the opportunity of being a brand ambassador. But the already successful businessman had other plans.

 “They got back to me and said, 'we want to bring you on as an ambassador'. I said no. I want a triple threat deal. I want to be on the board, I want to be an ambassador, and I want to be a franchisee.'” Shaq said. “And I also said there has to be new leadership up top. Like if the other nonsense is going on, I don’t want to do it. But if [you] and Jeff Smith, chairman of the board, are on top, I want to do it.”

This new partnership will be more than just Shaq advertising good pizza. Papa John's, and O'Neal are gearing up to do more community work, and even has an upcoming deal with the Boys and Girls Club.

In an era where audiences have become accustomed loving you one day and forgetting about you the next, having various and diverse projects has been key to longevity. This is something Shaq knows very well.

“I heard the great Jeff Bezos say that if you invest in things that are going to change lives, it’s usually a win-win," Shaq said reflecting on the importance of diversifying your brand.  "I’m not the anal guy that says, look, 'I put ten million in this.' I’ve never done that. I’ve been very successful and very lucky. Very blessed. I’m doing it because I want my children to look at me as more than one of the greatest basketball players to ever play the game. I want them to be super and extra proud of me.”

With nineteen years in the league, traveling from city to city, you encounter almost every type of fan.  Naturally, I had to ask Shaq his take on the uprise of racist NBA fans heckling athletes.

"It's not an uprise, that's what people don't understand. It's been going on for years. It's an uprise now because somebody records it. And everybody sees it." Adding, "We as athletes, we are taught to relax. Don't listen to them. " However, that's not always so easy."

Recently, Russell Westbrook had his own encounter with a racist Utah Jazz fan, after he was told to "get on your knees like your used to." The altercation went viral and ended with the fan being banned for life and Westbrook paying a fine.

Check out a snippet of my interview below.

70th Emmy's Proves To Lack Diversity Like Many Award Shows

Last night’s Emmy Awards opened up with host and Saturday Night Live comedians Colin Jost and Michael Che. Black excellence was in attendance yet scarcely acknowledged during one of TV’s biggest nights.

The ceremony opened with a monologue by Che and Jost jokingly touching on the issues of diversity in the awards / film industry, the ME-TOO movement and even the not so funny movement white people have come up with by calling the cops on people of color, made famous by BBQ Becky. 

The two went as far comparing Hulu’s a Handmaid’s Tale to slavery for whites, Roots with a bonnet.  Did you laugh?  It’s fine, no judgement. Yet the laughs didn’t stop there when they inserted a segment entitled Reparations Emmy.

“Reparation Emmys” were awarded to many of our beloved Black actors like Tichina Arnold and Jaleel White, who should’ve gotten Emmys in their careers but never did; sounds all too familiar. Again, poking the award-injustice-bear, plainly addressing the injustice the underrepresented face when it comes to awards season, especially in film and television.

I think it’s safe to say, its’ time to stop joking about serious issues. It's mind blowing to watch every year award shows take the time out to address a reacquiring issue such as minorities not getting the awards they deserve only to turn around and still not award them their due; it leaves you wondering  why even bring the topic up. Shows that vastly include and depict the lives of the underrepresented are out there, it's not like they don't exists. Shows like Black-ish and Atlanta not only portrays a diverse cast that speak on the topics minorities face everyday but also touch on topics to which even our white peers can relate to. Actors like Tracee Ellis Ross, Anthony Anderson, Zazie Beetz or Brian Tyree Henry should not have went home empty handed. "Black shows" already have the tough job of trying to stay true to its community while still being "acceptable black" to it's white gate keepers.  

We all knew Issa Rae should’ve taken the award for outstanding lead actress in a comedy home. This is undebatable, 30-40 percent of Insecure viewers are Black, which means a large majority of viewers are white. I know someone on the Emmy's board has to be apart of the Lawrence hive, so why didn't she win ?

For three hours we watched category after category get called only to watch two people of color take home an award. Congratulations to Regina King for taking home the first win for the culture, winning an Emmy for Lead Actress in a Limited Series or Movie for Seven Seconds and Thandie Newton for outstanding supporting actress in a drama series.

Sandra Oh, known to many as Dr. Cristina Yang from ABC's hit series Grey's Anatomy, made history at the Emmys as being the first women of Asian descent to be nominated for best lead actress in a drama series for her role on BBC America series "Killing Eve."

Over Oh's three decade career, she has received five Emmy nominations for best supporting actress in a drama series for Grey's Anatomy but never won. Yet, [they] applaud and congratulate her on a job well done and cry and write blog post murals when her  character moved to Switzerland thus leaving the show all together. If they gatekeepers were so touched by the actress' performance, prove it to her during the awards season.  

Yet, we cry over the lack of diversity and representation in the industry at these award shows but we have actors like Scarlett Johansson who get casted for roles written for an Asian actresses, like in Ghosts in the Shell or the talks of her playing Mahatma Ghandi in an upcoming bio that's set to be written and directed by Woody Allen. Ghandi ? Hollywood is really going to let Scarlett Johansson play Ghandi? I guess Priyanka Chora and Tabu aren't Indian enough for those roles.

Award shows have proved over and over  that as a minority actor, no matter how much you're praised, the idea of giving you the award you deserve and have worked decades for is just too much to bare. 

Letitia Wright was amongst others who got robbed out of an award for outstanding supporting actress in a limited series on Black Mirror . Wright played Nish, a black women who finds her way to the "Black Museum," which houses a collection of criminological artifacts, by it's white, race-hating rich proprietor, Rolo Haynes, played by Douglas Hode. Haynes takes Nish on a tour through the museum, telling her the horrific stories behind each artifact. It turns out the Nish is not your regular out of town tourist but instead the daughter of the museum's main attraction-- Clayton Leigh, who's hologram is imprisoned and tortured by the museums visitors. Long story short, Nish gets her revenge when she plants Haynes' consciousness inside her father's virtual body and executes him before setting fire to the museum. Restitution at it's finest if you consider the torture Blacks went through during the Tuskegee experiments.  

Yet the Emmy's couldn't see the deeper message behind this episode and robbed Wright out of an award that clearly had her name written all over it. 

However, history has shown us that this series of events are far from new. 2016 was the year of Beyonce. The global superstar put out her critically acclaimed solo studio album, Lemonade, and the affect it had, not just to people of color but to women--and even some men--across board was unmatched. 

Lemonade  put women on a journey to self-knowledge and healing. So when the 2017 Grammy's come rolling by it was no question that Lemonade would take home best album of the year. SIKE! The award for best album of the year instead went to Adele for her album 25 and Lemonade won best urban contemporary album; I couldn't help but think of segregated water fountains when I heard she won "best urban contemporary album." 

While Adele, herself was shocked by the win and praised Beyonce , the gatekeepers had spoken and the decision was made clear. All the praise Lemonade and Beyonce had received just wasn't enough to snatch the Grammy.

Furthermore down the award robbery highway, back at the 2014 Grammys when Macklemore won best rap album for The Heist, beating out albums by Kanye West, Drake, Jay-Z, and Kendrick Lamar. Again, Macklemore stated that he felt like Kendrick should've won for Good.Kid.Maad.City. But again, the gatekeepers had spoken, not even in your own genre are we going to let you win. 

Entertainers of minority backgrounds are only praised when it comes to magazine covers or in interviews because the masses are talking about them. It's almost as if it's a scheme to make them feel welcomed in the industry. Yet on the biggest nights, amongst their "peers" they're reminded that there isn't a seat at the winners table for them.